Another feminist artist
that creates unique and unconventional portraits of the Virgin of Guadalupe is
Yolanda Lopez. Lopez is known for creating three distinct images of Mary, the
most well-known called Portrait of the
Artist as the Virgin of Guadalupe or Virgin
Running (Q&A). This image is quite different from both the conventional
Virgin, as well as Alma Lopez’s portrayal of the Virgin. In this first
painting, Yolanda Lopez portrays herself as a strong, active young woman ready
for anything. The Virgin has some traditional aspects such as the blue cloak
with gold stars and the halo around her body, but overall, this is not the
traditional, submissive, down gazing Virgin of Guadalupe. She is shown running
with white tennis shoes, crushing both the Satan-like snake in her hand, and the
angel beneath her, the angel used to hold her up in traditional images. Lopez
is demonstrating that women do not need anyone to hold them up; they are perfectly
capable of taking care of themselves.
This portrayal was
quite offensive to some people as most people were accustomed to a view of the
Virgin as a mother, passive yet loving. Lopez and her printing companies were
actually threatened when these images came out because her fellow Christians
were so offended by them (Q&A). Lopez disregarded the threats and continued
to feel satisfied with her active powerful female icon because she wanted to
show that “people in the margins have risen up to take their power” (Q&A).
Lopez is obviously referring to her fellow women of color whom she believes should
take both an active role in society and an active role in religion. In this
way, she was hoping that her images would provide role models to women of all
ages, that they need not be passive and quiet to be successful or looked upon
as a strong woman; a powerful, lively woman is something to be desired.
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